i do it for the thrill lyrics anderson paak

Leaping from his nasal, rough-edged croon to bars that coast on the weirder rhythms, Anderson. If you're going into this album expecting the sort of manic howls he delivered on Compton. well, he's going for something much different here, more soulful and elastic and expressive. As it is, this is the sort of easy gem you rarely get in January, and I can see this becoming a big favourite of mine throughout the course of 2016, it's a great record.Īnd the funny thing is that there isn't one element that leaps off the table as the reason why this album clicked for me, and I think the place to start with that conversation is Anderson. Frankly, I'm stunned this wasn't released in May - talk about the sort of summer record that if well marketed would be absolutely huge. atmosphere so masterfully that it makes me wish I was on the beach in southern California instead of in downtown Toronto in the middle of January. Because I'm not going to mince words: this album is goddamn great, a beautifully produced, well-structured, groove-heavy record that creates the L.A. Well, I'll say this: if you listened to that Donnie Trumpet & Chance The Rapper collective project last year Surf and thought, 'Hey, I like this but it'd be so much better if it was well-produced and grounded in the same sort of earnest charm but more consistent', you're going to love this Andersoon. So you can bet I was psyched for this - how did it turn out?

Paak seemed set to deliver an even stronger sophomore release. And thus, with an bigger budget, a greatly expanded arsenal of producers and guest stars and riding some pretty impressive momentum, Anderson. Yeah, it does drag at spots, especially on the back half, but songs like 'Milk & Honey', 'Already', 'Get 'Em Up', 'Off The Ground', and the excellent 'Miss Right' are explanation enough for what Dre saw in this guy. Paak's earnest and yet surprisingly chill performance. Taking a west coast flavour with gentle soul, funk and R&B flourishes and sparse oscillating grooves, it's a remarkably chill and quiet listen that managed to be surprisingly sticky thanks to some great melodies, some unpolished but fascinating writing, and Anderson. So I dug into Venice, and wow, talk about an overlooked gem. All of that, combined with his presence on The Game's Documentary 2.5 gave me the impression there might be a fair bit more to the guy beyond the distinctive nasal voice, a bit reminiscent of Kendrick but higher pitched and a shade more melodic and elastic. Paak is the biggest reason why that album works, operating as the over-eager observer caught up in Dre's hyper-stylized Compton, nearly drowning in it before becoming the spirit of Dre's oft-ignored social conscience. And let's make this abundantly clear: Anderson. Dre pulled him aboard Compton that he began getting serious exposure. He'd been flitting around the indie scene in California for some time under the name Breezy Lovejoy and had some traction with his 2014 album Venice, but it wasn't until Dr. Paak - and where many consider his stories begins - is with Compton.Īnd that's mostly because that was the first place where people actually heard him.

The place where everyone starts talking about Anderson.

I do it for the thrill lyrics anderson paak